Website is in the making
Don't miss the launch!

Designing Corporate Teaser Graphic, Part 1: Pattern Effect

In this tutorial you will learn how to make this corporate-looking teaser graphic. It could reside in the sidebar of some e-commerce website or something like that. Though you maybe will not replicate it in your design “as-is”, I hope to show you some useful techniques.

Step 1

Create a base shape. Let’s pretend we have some website design in the works, and we have a clearly outlined space to place our “special offer” teaser. I assume my website design has blocks with rounded corners (for some reason I tend to make these more often than just plain rectangles). Pick a Rounded Rectangle Tool (keyboard U), set the Corner Radius to 6 in the top toolbar and make a base rectangle for our teaser:

teaser-tutorial-1-2.jpg

teaser-tutorial-1-3.jpg

I decided to make my teaser green (#7AB82F) to compliment the rest of the design, yours will probably be some other color.

Step 2

OK, now it’s time to pause that clicking a bit, step aside and think about what our composition will be. I assume we are making our teaser for a phone cards store. It’s quite a lot of these stores all over the internet, and phone cards they sell are used to make cheap international calls, all this is a huge industry with a lot of money in it – but that’s not really what we need to know. Basically, what we need to know is that there are 3 elements to be included in our teaser: a phone card (photo supposedly provided by the client), some text like “Sprint Phone Cards. International Calls Now Even Cheaper” and a button saying “Big sale!”, which takes to the page with discounted products.

I decided to include one more thing into this teaser, a world map (it’s international calls we’re talking about, right?)

Usually I jot down a composition like this on a piece of paper, really rough, just to sketch some idea. You saw the outcome image in the beginning of this tutorial, so you know what composition I came up with :)

Step 3

Let’s start with the background, namely the world map that has this cool pattern effect. This is some neat technique I use quite often, with different patterns and outlines, always adds professional touch to design.

I spent some time searching for a world map in vector format, you can grab this one that I have found (I made a PSD file with vector shape so you don’t have to mess with Illustrator): world-map.psd.zip

Open this document in Photoshop, and Right-click your map layer in the Layers palette, and then choose Duplicate Layer… And then select the name of your main document in the Destination dropdown menu:

teaser-tutorial-1-4.jpg

teaser-tutorial-1-5.jpg

Now it’s time to place that world map onto our teaser. Hit Cmd+T on the keyboard and resize the map to your liking, and then place it over the top right corner of our teaser.

teaser-tutorial-1-6.jpg

Now 2 questions: 1) why it’s blue? and 2) it spreads outside the teaser area!

No worries. 1) The color doesn’t matter! You’ll see why a bit later. 2) We’ll deal with it like this:

Step 4

Whenever you are working on an isolated part of the design (some sidebar section, header, etc) it’s always a good idea to secure it from the rest of the design.

Let’s select both our layers and group them together hitting Cmd+G. Then select the base layer vector mask thumbnail like shown:

teaser-tutorial-1-7.jpg teaser-tutorial-1-8.jpg

Grab the Path Selection Tool (keyboard A) and select the base shape, and copy it Cmd+C. Select the group in Layers palette and paste the shape we have in clipboard Cmd+V. Then go to main menu Layer Vector Mask Current Path. Voila, we have a mask over our group! Did you know this? Now whatever goes on inside our group won’t interfere the rest of our design:

teaser-tutorial-1-9.jpgteaser-tutorial-1-10.jpg

Step 5

Now let’s create that diagonal stripes pattern. Maybe you want some other kind of pattern, or wider stripes – you can learn the technique and later make whatever you want.

Create a new document, about 200×200 pixels in size. Now grab the Line Tool (keyboard U, or make it Shift+U to cycle through all vector shape tools), I did my pattern with 1px wide lines.

Make a line while holding your Shift key, this ensures your line has an angle of 45 degrees. Now select your line with the Path Selection Tool (A). Press Cmd+C and then Cmd+V – now you have two lines. Use your keyboard Right key to nudge the second line 4-5 times. The goal here is to determine the spacing of our future pattern. Repeat this process of copying and pasting a couple of times, just make sure you make the same number of nudges to the right. Once again, you can use this method later creatively and make it completely to your liking – try different line widths or spacing between the lines:

teaser-tutorial-1-11.jpg teaser-tutorial-1-12.jpg

Now let’s define our pattern. Zoom in real close, like 800%-1200%. Grab the Marquee Selection Tool (M) and start with a halftone pixel of the topmost line. While selecting keep your Shift key down (square selection), try to identify the pixel on the lower line that stands for our first pixel. Just look at the picture:

teaser-tutorial-1-13.jpg

Define the pattern in the main menu: Edit → Define pattern. Now lets check our pattern. Reset the selection clicking anywhere on the document and go to the bottom of the Layers palette, and click New Fill Layer button, and select Pattern…

teaser-tutorial-1-14.jpg teaser-tutorial-1-15.jpg

My pattern is OK, no pixels clash and it repeats itself smoothly. The only problem now is that our lines are black! No problem at all. Remove the pattern layer completely and make square selection once again, as we did when we defined our pattern. With selection still active, double-click the color thumbnail of the layer and set it’s color to white. Now you may define a new pattern, this time white. Of course, make sure your Background layer is not visible, so that you have transparent space between the lines.

teaser-tutorial-1-16.jpg

Step 6

Now it’s time to return to our world map. Switch back to the main document and select the map layer.

Now click Effects button in the bottom part of Layers palette and select Pattern Overlay… Select our new pattern in the pattern dropdown menu:

teaser-tutorial-1-17.jpg

teaser-tutorial-1-18.jpg

We still have one problem though – our map is still blue! Well, it’s easy. Now we will use the Fill slider in the upper part of Layers palette (ever wondered what it does?). Set the Fill to 0%, and you’ll see – while the contents of the layer became completely transparent, it’s effects still render properly. I.e. our pattern is now visible while the blue map became transparent!

teaser-tutorial-1-20.jpg teaser-tutorial-1-21.jpg teaser-tutorial-1-22.jpg

That’s why I said that the map color doesn’t really matter to us. I event did a couple different patterns to show you how flexible this approach is.

And of course, you can try the other layer effects too! For example, you can have the bevel effect without the type (letters embossed on some background), and many other uses exist.

We will continue with this teaser graphic in the second part of this tutorial…

Hope this technique was valuable to you and good luck with your designs! :)

Designing Corporate Teaser Graphic, Part 2: Realistic Objects

Here we will continue the work on corporate teaser graphic started in the first part of this tutorial. Please take a look at the outcome once again:

teaser-tutorial-1-1.jpg

In today’s tutorial we will add the phone card with a properly rendered shadow.

Step 1

Take a phone card scan. Mine supposedly comes from a client, but for our educational purposes we can take this: phone-card.psd.zip (I have found this using Google Images):

teaser-tutorial-2-1.jpg

We need to cut this out of the white background, so let’s do it. Grab the Rounded Rectangle Tool (keyboard U), and make a couple of test rectangles to find out what the corner radius is. I made a couple with smaller and larger radius’ and found out that a radius of 20px works best:

Rounded Rectangle Masking Rounded Rectangle Masking Rounded Rectangle Masking

Note, that some yellow still visible on the sides – but that’s OK, now we can be sure that this outline will be clean and straight.

Pick the Path Selection Tool (keyboard A), and select the rectangle, then press Cmd+C. In the Layers palette select the card layer and paste the vector shape Cmd+V. Now go to the main menu Layer → Vector Mask → Current Path. The phone card image is now cut out from the background with it’s outline as clean as possible:

Rounded Rectangle Masking teaser-tutorial-2-6.jpg

Now duplicate the masked card layer into our main document (refer to the previous tutorial how to do that).

Step 2

Now we will rotate and place the card according to our composition.

Place the card inside the teaser group if not already. You will see that our vector mask applied to the group cuts off all unnecessary leftovers nicely:

teaser-tutorial-2-7.jpg

Now press Cmd+T and start transforming the card. When you place your cursor near the corner handles, it turns into a small rotation arrow, so you can rotate the image by dragging in different directions. Also, don’t forget to use the Shift key when resizing the image – this ensures that your image has fixed aspect ratio, i.e. it’s not distorted or stretched in any way. Place the card like shown on the following picture:

teaser-tutorial-2-8.jpg

Finally hit Cmd+Enter to finish transformation.

Step 3

Our card looks somewhat too plain, so we will add a little gradient overlay to it.

Switch to Gradient Tool (keyboard G), and set your gradient like this (both sides black #000000, and one side 100% transparent):

teaser-tutorial-2-9.jpg

I tried with a black-to-white gradient, but it happened to over-lighten the top of the card (which is light-yellow already) so I chose to make only darker overlay.

Create new blank layer on top of the card (Cmd+Shift+N). Make a gradient with lower part dark and upper part transparent:

teaser-tutorial-2-10.jpg

Set the blending mode of the layer to Overlay. Now it makes our yellow card more alive and a bit more 3-dimensional. The only problem is that our dark overlay is not only over the card but over everything else. That’s easy – just hold the Option (Alt on PC) key and click the dividing line between the card and gradient layer. Your cursor should turn into this little ‘8 thingie’ and your gradient layer will now only overlay the card layer and nothing else:

teaser-tutorial-2-111.jpgteaser-tutorial-2-12.jpg

teaser-tutorial-2-13.jpg

Step 4

Now to enhance the realism even further, we will add a shadow to our card. Simulating proper shadows isn’t as easy as it might seem, believe me. Huge studies exist on the subject of proper simulation of highlights/shadows/reflexes/ambient lighting etc.

But basically what you need to know to render a decent shadow is quite simple things. First, shadows are never black. Unless of course the environment around your object is pure white and your object is black or white too. In any other case the shadow’s color is a composition of the environment’s dominant color and your object’s own color. How to apply this to our card?

Load the card as selection – Cmd+Click card’s vector mask in the Layers palette. Create a new layer Cmd+Shift+N and place it underneath the card layer. Now pick the color for our shadow – it should be something between the yellow (card) and green (background) - mine is #2E3B05. Fill selection with that color Option+Backspace:

teaser-tutorial-2-14.jpg

I turned the card layer off so that we could see our shadow. Now I turn it back on and use Free Transform to shape the shadow properly (rotate it, squeeze it and use Cmd+clicking the handles to shear-transform it):

teaser-tutorial-2-15.jpg

Step 5

Now the second principle of realistic shadows: The more is the distance from the object, the more blurry and transparent a shadow gets.

So we grab the Blur tool (keyboard R), with a radius of about 45-60 and start working on the upper (more distant) part of our shadow:

teaser-tutorial-2-16.jpg

Great, we made our shadow blurry, now it’s time to make it more transparent. Grab the Gradient Tool (keyboard G) and use the default black-to-white gradient.

Click the Add Layer Mask button while staying on the shadow layer. And now add some gradient to the mask, so that the blurred edge of the shadow becomes more transparent. Here’s the shot of my mask:

teaser-tutorial-2-17.jpg

Cool, now our card looks quite realistic and 3D!

teaser-tutorial-2-18.jpg

While our teaser looks almost finished, make sure you do not miss the 3rd final part of this tutorial, where I’ll tell you about the little things that make big difference!

Stay tuned and good luck with your designs! :)

Designing Corporate Teaser Graphic, Part 3: Finishing Touches

(Please see the first and the second part of this tutorial before you will read this one)

So, in this tutorial I explain how I made this corporate-ecommerce-style teaser graphic. Here’s the final result:

teaser-tutorial-1-1.jpg

In this part of the tutorial we will put finishing touches onto our design and make it look completed.

Step 1

First we have to add some depth to our background. With all this realistic card picture our background now looks too plain and boring:

teaser-tutorial-3-14.jpg

Of course, the best way to add volume to the picture is some lighting simulation. Which is of course basically a change of color from light (yellowish green in our case) to dark (dark saturated green).

Grab the Gradient tool (keyboard G) and lets create a 3-color gradient, I made this colors out of our base green background and ended up with something like this:

teaser-tutorial-3-1.jpg

Switch to the base layer, that is our green background. Then create a new blank layer (Cmd+Shift+N) and apply the gradient, starting from the lower part of the card and dragging up towards the edge of the teaser:

teaser-tutorial-3-2.jpg

Nice, eh? I like it!

Step 2

Now I wanted to add even more depth to the picture, so I decided to apply a little ‘inset’ effect to the whole teaser.

Duplicate the base layer – select it in the Layers palette and hit Cmd+J on the keyboard. And now drag the layer all the way up, so that it is no longer inside our teaser group. Why would we need that? It’s now hiding everything we have created! Well, one more cool trick for you to see…

Now apply this layer effect to our green background (that is Inner Shadow and please note that I modified the contour slightly too!):

teaser-tutorial-3-3.jpg

teaser-tutorial-3-4.jpg

And now we make the same thing like we did in the first part of our tutorial – set the Fill property of this layer to 0%:

teaser-tutorial-3-5.jpg

We now have this nice inset over our teaser…

teaser-tutorial-3-15.jpg

Step 3

Now it’s time to place the text – nothing special here, I decided not to apply any effects. Why? Because every composition needs contrast, and with all this graphically intensive (patterns, 3d objects, etc) picture the best way is to provide something plain and simple. And that is how I chose our text to be.

teaser-tutorial-3-6.jpg

It’s obvious that it can be a bit hard to read for some people, so I had to apply just a simple and quite subtle drop shadow, like this:

teaser-tutorial-3-7.jpg

teaser-tutorial-3-8.jpg

Again, please note that I do not use black for my shadow, that would be thick and dirty, not really what I wanted.

And by the way, this text is Myriad Pro Bold Condensed, Condensed and just Regular – it sometimes gives a very nice effect to vary the weight of the characters.

Step 4

Now we need what I call “an action item”. Something really really clickable, so that any user could tell for sure: “This is where I should click to see more about it”. So of course we need a button saying something like “BIG SALE!”

This button is rather simplistic, I made it with a couple of layer effects and a highlight overlay:

teaser-tutorial-3-9.jpg

teaser-tutorial-3-10.jpg

Highlight is basically a black to white gradient set to screen mode with it’s lower half cut off, and then made into the same shape as button, but contracted by 1px. This is not a good explanation of course, but the fact is you can use your favorite button style instead! Or let me know and I will make a separate tutorial on how to make buttons like this.

Step 5

We’re almost finished with this! I decided not to stop on the achieved result and make just one more improvement to the picture.

So I selected the pattern-overlayed world map and gave it a sheer wide shadow, just to enhance the depth of the background a bit more, here’s the “before and after” image:

teaser-tutorial-3-11.jpg teaser-tutorial-3-12.jpg

The settings for the shadow go like this:

teaser-tutorial-3-13.jpg

Alright, now it’s finished! :)

teaser-tutorial-1-1.jpg

Time to have some rest? Well, that was just a part of website design. So you can take a 5 minute coffee break and then get back to work!

Just kidding of course :)

Hope this was of value to you and good luck with your designs!

Eye-Popping Banner Ad Tutorial

In this tutorial we are going to create a banner ad. Here’s the outcome:

banner-tutorial-outcome.jpg

And the story goes like this:

Let’s suppose, a client contacts me, saying “hey, I need a banner ad for my website. I started some heavy promotion of free iPod nano offers, so I need a banner saying: Want a Free iPod Nano? - No catch, get yours now! And of course, a picture of iPod nano ;) And everything else to your liking, just remeber I need it to really POP, ya know, to make them wanna click it”

While reading client’s message, I already have some initial idea in my head, so why not go for it?

My initial idea was like this, I drew it on a piece of paper (sorry, too lazy to scan it):

banner-idea.gif

As we now know what we are going to create, time to start the Photoshop and get to work:

Step 1

Create a new file. The most common banner ad format is 468×60, so we will go for that (that kind of ads is said to be getting less and less click-through every day due to “banner blindness”, but that’s a whole another story – and clients still want them anyway):

banner-tutorial-1.jpg

Create a new layer for our background (btn-new-layer.gif in the bottom of Layers palette) and then switch to Gradient tool hitting G on your keyboard.

Click the gradient preview in the top toolbar:

banner-tutorial-2.jpg

I started with the 3-color gradient, because I wanted mine to be 3-color too – it’s often a good idea to add more colors to a gradient instead of plain “1 to 1″. I want to create a gradient from cyan (light) to deep blue (darkness), so in the Gradient Editor I click color stops (little squares under the gradient) and change colors respectively:

banner-tutorial-3.jpg banner-tutorial-4.jpg banner-tutorial-5.jpg

As you can see, I made the middle color more blue than cyan, somehow it gives it a bit more natural “light to dark” look. There is no strict rules here, just tweaking. I ended up with these colors: #43E2E8 → #2488C1 → #124A88

Now make sure your Gradient tool is in Radial Gradient mode and we’re ready to make our background:

mode-radial.gif banner-tutorial-6.jpg

I click the place where my iPod is supposed to reside and drag outside like shown. And get this great background:

banner-tutorial-7.jpg

Step 2

Now we need an iPod Nano, so I open up the screen capture of Apple Store with iPods:

banner-tutorial-8.jpg

I already made this in advance, you can do this screen capture of apple.com page using Cmd+Shift+4 on a Mac or Alt+PrtScreen on PC. What I want to do now is to cut out the iPod Nano from the white background. Switch to Rounded Rectangle Tool and draw a shape over iPod to cover it. Make sure the shape is as similar as possible to that of an iPod, with a little tweaking I came to 14px corner radius (change in the top toolbar):

banner-tutorial-9.jpg

Once we have the shape similar to iPod, Cmd+click (Ctrl+click on PC) the shape layer thumbnail to load that shape as a selection. And then switch to the layer with iPods and hit Cmd+J (duplicate selected area). You should now have a new layer with an iPod cut out from the background:

banner-tutorial-10.jpg banner-tutorial-11.jpg banner-tutorial-12.jpg

 

Now switch to Rectangular Marquee Tool (keyboard M), grab your iPod like this and hit Cmd+C (Copy):

banner-tutorial-14.jpg

You can now return to our banner and paste (Cmd+V) the iPod into it like this:

banner-tutorial-15.jpg

Step 3

Now it’s time to add text. Let’s hide the iPod for now (click the eye icon of the iPod layer) and switch to Text tool hitting T. In the top toolbar choose a good font, I like Myriad Pro a lot. It always looks nice, clean and professional compared to all that amature stuff like Comic Sans or some ultra-high-tek styled free fonts.

banner-tutorial-16.jpg

I started with the second line somehow (can’t tell you why ;) ) and adjusted the text properties like this:

banner-tutorial-17.jpg

Note the All caps button toggled, and the letter spacing set to -10. It’s a good tip to always try to tweak letter spacing of any text, sometimes it can really give your text an overall better look.

Duplicate the first (i.e. the second) line of text hitting Cmd+J and drag it upwards:

banner-tutorial-18.jpg

Click it with a Text tool and type in the first line, “Want a free iPod Nano?”. I did that line with a bigger font size, so that it could catch an eye of a reader. Consequently, while increasing the font size, I had to make letter spacing smaller, -50:

banner-tutorial-19.jpg

Note the capitalization, it’s good for an ad copy to be “Initial caps”. Move both lines a bit, so that they are center-aligned and then move the whole text group a bit back-and-forth - find it’s place, so that it is not too much into light area, and not too much into the right side either. Then change first line color to white (#FFFFFF) and the second to orange-red (#FFA60B):

banner-tutorial-20.jpg

Step 4

Now we will place our iPod into it’s place. Make iPod visible again (eye icon of iPod layer), and create a backup copy (just duplicate the layer Cmd+J, and make the lower layer invisible). We’re going to transform the iPod picture, and once transformed it will lose some quality. So it’s a good idea to have a backup copy, so that if later we will want to resize the iPod or something, we can do it with our initial high-quality picture and not the blurred transformed one.

Start transforming the iPod picture - hit Cmd+T, then click the lower left (or right if you like) transform handle and drag it upwards holding Shift key. Shift key means that the transformation will save the aspect ration of a picture and won’t distort it. Resize the iPod to fit the banner area:

banner-tutorial-21.jpg

Then click in the middle and drag the iPod to our “light source”, try to find a good place for it, so that it looks like the light is coming from behind the iPod. Resize and move to your taste, here’s mine:

banner-tutorial-22.jpg

Hit Cmd+Enter to end the transformation. It’s always a good idea to apply Unsharp Mask to any picture that was just scaled, because scaling usually adds some blur, that’s the side effect of scaling calculation. I used this: Filter → Sharpen → Unsharp Mask

banner-tutorial-23.jpg

Step 5

Now it’s time to make that energy blast from behind the iPod. Create a new file, square of about 400×400:

banner-tutorial-24.jpg

And fill it with black (#000000). Now we need a nice white circle in the middle of this square, I did it like this:

banner-tutorial-25.jpg banner-tutorial-26.jpg banner-tutorial-27.jpg

Select all Cmd+A, turn on the Rulers if not already (Cmd+R) and then drag both vertical and horizontal guides from the top and left ruler. As you drag your guides closer to the center, you might feel a little snapping, i.e. the guide tends to be placed right in the middle of your selection. Photoshop is fantastic, isn’t it? Find the center, then Deselect (Cmd+D) and take Elliptical Marquee Tool (Shift+M). And then make a small circle clicking in the center and dragging to the side while holding Option (Alt) key down. And then fill the circle with white Option+Backspace.

This is the base of our energy blast. Now go to Filter → Distort → Ocean Ripple and make a heap of pieces out of this perfect circle. My settings were like this:

banner-tutorial-28.jpg banner-tutorial-29.jpg

Make sure the pieces are not too small, but not too large – just try to do this all energy blast effect a couple of times if needed, and you will see what settings give what result. Now it’s time to actually make a blast, so go to Filter → Blur → Radial Blur, select Zoom method and then push it to the limit, with amount of 100 and Best quality:

banner-tutorial-30.jpg banner-tutorial-31.jpg

Cool, eh? We’re not finished yet, so hit Cmd+F to repeat this filter once again and maybe once again (I did 3 or 4 times, until it really started to look like a blast):

banner-tutorial-32.jpg

I wanted the spikes of light to be really visible, so I added Unsharp Mask on top of it all, just tweaking the sliders to see if it helps:

banner-tutorial-34.jpg

Now it’s looking great, so we do Cmd+A (Select all), Cmd+C (Copy), return to our banner and paste Cmd+V

Step 6

Now we have to place the energy blast in it’s place (just grab a Move tool V and drag the blast layer):

banner-tutorial-35.jpg

banner-tutorial-36.jpg

Alright, but what with all that black background? Simple. Go to your Layers palette, open the Blending mode dropdown menu (where it says Normal) and change the blending mode to Screen. Finally it looks like a real blast:

banner-tutorial-37.jpg

I was not quite happy with the center of the blast, so I added a couple of things:

– An overlay gradient. I made one more radial gradient, this time starting with white (the epicenter of our energy blast), through cyan to blue, with blue being transparent like shown on a snapshot (the exact colors are #FFFFFF → #5DEEFF → #124988):

banner-tutorial-38.jpg

Create a new layer on top of our blast, and add gradient, starting from the center of iPod dragging outwards:

banner-tutorial-39.jpg

Set this layer blending mode to Overlay and you should have something like this:

banner-tutorial-41.jpg

As you can see, white and cyan colors in overlay mode make our blast look more like light rather than just white blurry spikes. By the way, here’s a snapshot of my Layers palette at this stage (just in case):

banner-tutorial-40.jpg

Layer 2 is our radial gradient overlay. But hey, we can go even further than that, I’m still not happy with how this blast thing looks. I need more light coming from the epicenter, so I grab my Brush tool (keyboard B), pick white as foreground color, create a blank layer and start adding more light with a brush of like 45-65-100 diameter. It’s a good idea to set brush opacity to like 30%-50% in the top toolbar. Here’s what I have done:

banner-tutorial-42.jpg

Just place the brush behind the iPod and click it a couple of times, making the epicenter of your blast really shining with white light.

After that I decided to add even more improvement to the blast, this time sharpening the spikes. I duplicated the blast layer (the initial white on black blast effect that we started with), and placed it on top of all additional layers, the radiant overlay and white epicenter. I applied Filter → Sharpen → Unsharp mask with these settings (again, I was just tweaking the sliders to see if it gives the desired effect, my goal was to make each spike of light sharper):

banner-tutorial-43.jpg

I did not want to “over-do” it, so I turned this layer to about 30% opacity and decided that my energy blast was finally looking good enough:

banner-tutorial-44.jpg

Step 7

Now we need to add some effects to our text, ’cause for now it looks too plain. Switch to first line layer and click the Effects button at the bottom of Layers palette (btn-fx.gif), and choose a Gradient Overlay effect. I applied these settings, and here’s why: As our white text resides on a blue background, it’s a good idea to add some blue to it, really really light, but still visible. Why is that? That’s because in the real world any colored background produces a reflected light of it’s color, and every object placed against colored background always receives a bit of that color!

banner-tutorial-45.jpg

I also decided to add some drop shadow to the text, but not too much, like this:

banner-tutorial-46.jpg

Beware of thick black shadows! It’s quite rare in the real world for a shadow to be thick and black. It’s a whole another story really, maybe a theme for my future tutorial, but for now just take my word on it.

For the second line of text I applied the same shadow style and a different sort of gradient overlay:

banner-tutorial-47.jpg

So now our text looks like this:

banner-tutorial-48.jpg

Cool already, eh? Well, there’s still room for improvement of course. I really don’t like the empty right side of the ad, and more importantly, I know that the client won’t like it either. So we will have to add one more step:

Step 8

Lets place some arrow there, it’s a common practice for banner ads to contain arrows pointing right. Somehow it represents “Go there” action, a forward move or something of that sort. Let’s start with a round base, pick an Ellipse tool and create a small circle next to our text:

banner-tutorial-49.jpg

I assume your circle is white, if not - you better make it white by double-clicking the color thumbnail of your shape layer and setting the color to white. Then set the opacity of the layer to something like 10%:

banner-tutorial-50.jpg

Great! Now pick a Line tool and set your line width to 2px (in the top toolbar). And start drawing a little arrow, beginning with a horizontal line:

banner-tutorial-52.jpg banner-tutorial-53.jpg banner-tutorial-54.jpg banner-tutorial-55.jpg

Good, half of our arrow is ready. As the arrow is symmetrical, we can now just duplicate this half and reflect it vertically. To do this, I created a blank layer on top of these lines, than selected lines and my new layer using Shift key:

banner-tutorial-56.jpg

And then flattened the whole thing by pressing Cmd+E. Then it was simple: Duplicate the “half arrow” Cmd+J, hit Transform Cmd+T and then select Flip Vertical from the context menu (right-click or Ctrl+click on a Mac):

banner-tutorial-57.jpgbanner-tutorial-58.jpg

banner-tutorial-59.jpg

Use Move tool (V) and arrow keys on your keyboard to position the second half of our arrow correctly, and maybe experiment with layer opacity a bit, so that the arrow is not too bright:

banner-tutorial-60.jpg

banner-tutorial-61.jpg

Or maybe don’t do it, it’s up to your taste ;)


Sooo, we’re finished with this. Time to upload to showroom directory and show it to the client (and get the bucks of course ;) )!

Cheers, hope this was helpful and stay tuned for more tutorials!

Hello world!

Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!